2,646 Free Images of Colored Etching

yale center for british artetchings in the yale center for british arthand-coloredisaac cruikshankjames gillrayromanticismthomas rowlandsonhand-colored etchingcharles williams (caricaturist)charles williams
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves, James Gillray, 1783
etchings in the yale center for british artjames gillray
The South Entrance of Duke's Place, John Thomas Smith, 1814
etchings in the yale center for british artjohn thomas smith (1766-1833)
Reform Advised - Reform Begun - Reform Compleat (Complete), Thomas Rowlandson, 1793
etchings in the yale center for british artromanticism
Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman, Thomas Rowlandson, 1785
etchings in the yale center for british artromanticism
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform, James Gillray, 1788
etchings in the yale center for british artjames gillray
The Opening of Parliament or the Air Gun-Plot or the Infamous attack on His Majesty, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master, James Gillray, 1791
etchings in the yale center for british artjames gillray
Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
etchings in the yale center for british artjames gillray
Between Two Stools The Bottom Goes to the Ground, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
King's Place, or a View of (Monsieur Reynard's) Best Friends, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1786
etchings in the yale center for british artjames gillray
The Brazen Image Erected on a Pedestal Wrought by Himself, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
The Tree of Liberty, - With The Devil Tempting John Bull (Fox), James Gillray, 1798
etchings in the yale center for british artjames gillray
The Secret History of Crim Con, Fig 1, George Murgatroyd Woodward, 18 August 1808
george moutard woodwardthomas tegg
Vordingborg, Søren L. Lange
prints by søren l. lange in the statens museum for kunstcolored etching
The Purple Jack Daw (Gracula Quiscula), Mark Catesby, published 1731-1743
the natural history of carolina, florida and the bahama islandsetchings in the national gallery of art (washington, d.c.)
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Enamoured Sportsman, Thomas Rowlandson
prints in the national gallery of art (washington, d.c.)romanticism
Le Roi Esclave on Les Sujets Rois Female Patriotism, Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
The Budget or John Bull Frightened Out of His (Money) Wits, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Present State of Europe, Or - John Bull on his Last Legs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Little Green Man or the Bath Bugabo, or the Widows Terror, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
etchings in the yale center for british artjames gillray
Self Murder or the Wolf Tried and Convicted on his own Evidence, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Grand-Consul of the Great Nation Perusing - John Bulls Dispatches!!!, John Cawse, 1800
etchings in the yale center for british artjohn cawse
The Jocose Prisoner & Honest Cryer. A Joke May be Carried Too Far, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
A Naughty Boy Turn'd Out of School, William Heath, 1828
etchings in the yale center for british artwilliam heath (artist)
The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The City Combat, or the Desperate Attack at The English Baron, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
etchings in the yale center for british artjames gillray
Monopolisers Caught in Their Own Trap or a Companion to the Farmers Toast, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Billy & Harry in Their Glory or a Great Man Kicked Out of Place, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Sailors on Shore at Navarino, William Heath, circa 1827
etchings in the yale center for british artwilliam heath (artist)
Old Hat or a Serious Divertisement as Performed at the Chap(p)el Royal, John Cawse, 1800
etchings in the yale center for british artjohn cawse
Uncle George and Black Dick at Their New Game of Naval Shuttlecock, Thomas Rowlandson, 1787
etchings in the yale center for british artromanticism
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again, James Gillray, 1792
etchings in the yale center for british artjames gillray
Bless Thee Bottom, Bless Thee-Thou Art Translated, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined, James Gillray, 1797
etchings in the yale center for british artjames gillray
[Shooting] The Sportsman (four lines of verse by J. Emery), George Maile, 1824
etchings in the yale center for british artgeorge maile
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy, James Gillray, 1796
etchings in the yale center for british artjames gillray
Two Pair of Candidates Proposed to the Independant Electors of Middlesex, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
John Bull in a Rage, forcing nic Frog to Fight against his Will, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
A Sacrifice to Slavery, Dedicated without Permission to the Puppet Player in Downing Street, James Gillray, 1787
etchings in the yale center for british artjames gillray
Ruins of an ancient gallery in Rome, Laurent Guyot
prints in the national gallery of art (washington, d.c.)laurent guyot
The Caravan by Charles W. Bartlett, 1923-5, color etching, May 1923
intaglio prints by charles w. bartlett
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day, James Gillray, 1792
etchings in the yale center for british artjames gillray
View at the palais of prince Radziwil in Wihelmstraße (Berlin), Johann Hubert Anton Forst, circa 1820
johann hubert anton forstcolored etching
The French Fireside, Peltro William Tomkins
prints in the national gallery of art (washington, d.c.)peltro william tomkins
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary, James Gillray, 1799
etchings in the yale center for british artjames gillray
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass,... etc., James Gillray, 1783
etchings in the yale center for british artjames gillray
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover, James Gillray, 1784
etchings in the yale center for british artjames gillray
Suffolk Rats protecting their Cheese, or the County Fencibles called to Arms, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
etchings in the yale center for british artjames gillray
The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain, John William Edy, 1786
etchings in the yale center for british artjohn william edy
A New French Bussing Match or More Cursing and Swearing for the Assembly, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Effects of British Valour on the French Directory, George Murgatroyd Woodward, 1798
etchings in the yale center for british artgeorge moutard woodward
A Charge of Bastardy before Justice Juggle, George Murgatroyd Woodward, 1790
etchings in the yale center for british artgeorge moutard woodward
Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land, James Gillray, 1795
etchings in the yale center for british artjames gillray
(The) A Grand Battle between the Famous English Cock and Russian Hen!, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
What a Man Buys He May Sell. Blackstones Commentaries Page..., James Gillray, 1788
etchings in the yale center for british artjames gillray
The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Salus in Fugâ - La France se Purge Petit à Petit, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
More Short Petticoats of Highland Association Under Episcopal Examination, Franciscus Sansom, 1798
etchings in the yale center for british artfrancis sansom
The Renuciation of an Ex Noble now become a Republican Sans-Culotte Citizen, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
A Change in the Head of Affairs, William Heath, circa 1828
etchings in the yale center for british artwilliam heath (artist)
A Peep into Totenham Street or Dillitanti Performers in Training, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
More Humbugs, - or - Another Attack on John Bulls Purse, Charles Williams, 1818
etchings in the yale center for british artcharles williams (caricaturist)
A New Irish Jaunting Carr. The Tandem - or Billy in HIs Sulky, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Bartholomew Fair, Augustus Charles Pugin, 1 February 1808
prints by thomas rowlandson in the metropolitan museum of artaugustus charles pugin
Coaching: Paris Diligence, Thomas Rowlandson, circa 1810
etchings in the yale center for british artromanticism
The Gouty Merchant and Stranger. A Card Party., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
Het-Hoog-en Hager-Huys van Engelandt. Coronation of the Prince of Orange, Romeyn de Hooghe
etchings in the yale center for british artromeyn de hooghe
Racing [set of six]: 1. Racing, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
The Needless Alarm. A Smoking Party, Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
None but the Brave deserve the Fair. Honour., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
'Man in Outrigger, Hawaii' by Charles W. Bartlett, 1923-27, hand colored etching, Charles William Bartlett, between 1923 and 1927
intaglio prints by charles w. bartlettcanoeing in art
A Two O'Clock Ordinary, Thomas Rowlandson, 4 June 1811
satirical art worksromanticism
A Going! A Going!!!, Richard Newton, 10 June 1809
prints in the metropolitan museum of artsatirical art works
View at the theatre in the royal garden of Charlottenburg, Johann Hubert Anton Forst, circa 1820
johann hubert anton forstcolored etching
View at the fishing in the [:de:Schloss Charlottenburg#Schlossgarten, Johann Hubert Anton Forst, circa 1820
johann hubert anton forstcolored etching
Frontispiece: The Progress of a Midshipman, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Racing [set of four]: 3. Preparing to Start, James Pollard, 1821
etchings in the yale center for british artjames pollard
The Englishman in France. A Cold Duck., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
The Angler's Going Out. The Pleasures of Angling., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
Lobster Sauce. The Unexpected Visit., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
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